2. 다음 글의 주제로 가장 적절한 것은?[3점]
There are pressures within the museum that cause it to emphasise what happens in the galleries over the activities that take place in its unseen zones. In an era when museums are forced to increase their earnings, they often focus their energies on modernising their galleries or mounting temporary exhibitions to bring more and more audiences through the door. In other words, as museums struggle to survive in a competitive economy, their budgets often prioritise those parts of themselves that are consumable: infotainment in the galleries, goods and services in the cafes and the shops. The unlit, unglamorous storerooms, if they are ever discussed, are at best presented as service areas that process objects for the exhibition halls. And at worst, as museums pour more and more resources into their publicly visible faces, the spaces of storage may even suffer, their modernisation being kept on hold or being given less and less space to house the expanding collections and serve their complex conservation needs.
4. 글의 흐름으로 보아, 주어진 문장이 들어가기에 가장 적절한 곳을 고르시오.
As long as the irrealism of the silent black and white film predominated, one could not take filmic fantasies for representations of reality.
Cinema is valuable not for its ability to make visible the hidden outlines of our reality, but for its ability to reveal what reality itself veils ― the dimension of fantasy. ( ① ) This is why, to a person, the first great theorists of film decried the introduction of sound and other technical innovations (such as color) that pushed film in the direction of realism. ( ② ) Since cinema was an entirely fantasmatic art, these innovations were completely unnecessary. ( ③ ) And what’s worse, they could do nothing but turn filmmakers and audiences away from the fantasmatic dimension of cinema, potentially transforming film into a mere delivery device for representations of reality. ( ④ ) But sound and color threatened to create just such an illusion, thereby destroying the very essence of film art. ( ⑤ ) As Rudolf Arnheim puts it, “The creative power of the artist can only come into play where reality and the medium of representation do not coincide.”
5. 다음 글의 내용을 한 문장으로 요약하고자 한다. 빈칸 (A), (B)에 들어갈 말로 가장 적절한 것은?
Research from the Harwood Institute for Public Innovation in the USA shows that people feel that ‘materialism’ somehow comes between them and the satisfaction of their social needs. A report entitled Yearning for Balance, based on a nationwide survey of Americans, concluded that they were ‘deeply ambivalent about wealth and material gain’. A large majority of people wanted society to ‘move away from greed and excess toward a way of life more centered on values, community, and family’. But they also felt that these priorities were not shared by most of their fellow Americans, who, they believed, had become ‘increasingly atomized, selfish, and irresponsible’. As a result, they often felt isolated. However, the report says, that when brought together in focus groups to discuss these issues, people were ‘surprised and excited to find that others share[d] their views’. Rather than uniting us with others in a common cause, the unease we feel about the loss of social values and the way we are drawn into the pursuit of material gain is often experienced as if it were a purely private ambivalence that cuts us off from others.
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Many Americans, believing that materialism keeps them from
(A) social values, feel detached from most others, but this is actually a fairly
(B) concern.