2. 다음 글의 밑줄 친 부분 중, 어법상 틀린 것은?
Trends constantly suggest new opportunities for individuals to restage themselves, representing occasions for change. To understand how trends can ultimately give individuals power and freedom, one must first discuss fashion’s importance as a basis for change. The most common explanation offered by my informants as to why fashion is so appealing is ① that it constitutes a kind of theatrical costumery. Clothes are part of how people present ② them to the world, and fashion locates them in the present, relative to what is happening in society and to fashion’s own history. As a form of expression, fashion contains a host of ambiguities, enabling individuals to recreate the meanings ③ associated with specific pieces of clothing. Fashion is among the simplest and cheapest methods of self-expression: clothes can be ④ inexpensively purchased while making it easy to convey notions of wealth, intellectual stature, relaxation or environmental consciousness, even if none of these is true. Fashion can also strengthen agency in various ways, ⑤ opening up space for action.
3. 다음 빈칸에 들어갈 말로 가장 적절한 것을 고르시오.
Prior to photography,
while painters have always lifted particular places out of their ‘dwelling’ and transported them elsewhere, paintings were time-consuming to produce, relatively difficult to transport and one-of-a-kind. The multiplication of photographs especially took place with the introduction of the half-tone plate in the 1880s that made possible the mechanical reproduction of photographs in newspapers, periodicals, books, and advertisements. Photography became coupled to consumer capitalism and the globe was now offered ‘in limitless quantities, figures, landscapes, events which had not previously been utilised either at all, or only as pictures for one customer’. With capitalism’s arrangement of the world as a ‘department store’, ‘the proliferation and circulation of representations achieved a spectacular and virtually inescapable global magnitude’. Gradually photographs became cheap mass-produced objects that made the world visible, aesthetic, and desirable. Experiences were ‘democratised’ by translating them into cheap images. Light, small and mass-produced photographs became dynamic vehicles for the spatiotemporal circulation of places.